book | Animals in stone : architectural sculpture in New York City

Animals in stone : architectural sculpture in New York City / Robert Arthur King ; introduction by Andrew S. Dolkart ; maps by Jeffery Ward.
New York [etc.] : W. W. Norton, 2009.
144 p. : il. bl. y n.
ISBN 9780393732863*Materias:
Decoración y ornamentación arquitectónicas – Estados Unidos.
Nueva York (N.Y.)
Biblioteca A-72.04 ANI

A delightful collection of creatures that adorn New York City buildings. Companion to “Faces in Stone”, this is a gift-sized and attractively priced book for architecture buffs. It features more than one hundred imaginative sculptural details, from the domestic to the fantastic, with a brief introduction and contextual photos to show the building on which each ornament appears, the addresses, and transportation information.

Reviews

“Implicitly, King makes a case against the rigid application of modernist dogma to architecture. That the carvings he photographed added depth, visual interest and beauty to their structures was sufficient justification for their existence. Form doesn’t necessarily have to follow function.” — Dave Luhrssen, Milwaukee Express

“[E]xcellent books, giving you another way to enjoy the sights, and great presents for architectural students or lovers of New York City.” — Pam Robinson, Examiner.com

Similar books could be produced in any older city with many buildings that have survived the ravages of “urban renewal.” But photographer Robert Arthur King, a professor at the New York School of Interior Design, didn’t have to wander far from home to find his subject in the decorative stone carvings on the facades of buildings. King focused on black and white photographs of animal figures—Art Deco eagles, sinister goats, roaring lions, glowering owls—mostly carved by anonymous artisans of the late 19th and early 20th centuries. Implicitly, King makes a case against the rigid application of modernist dogma to architecture. That the carvings he photographed added depth, visual interest and beauty to their structures was sufficient justification for their existence. Form doesn’t necessarily have to follow function. (David Luhrssen)

eta gainera | y también…

Faces in stone : architectural sculpture in New York City / Robert Arthur King ; foreword by Allison Silver ; maps by Alice Thiede.
New York [etc.] : W. W. Norton, 2008.
144 p. : il.
ISBN 9780393732344*
Materias:
Decoración y ornamentación arquitectónicas – Estados Unidos
Nueva York (N.Y.)
A-72.04 FAC

prensa | Donostia: El supermercado de Riberas obliga a modificar el Jardín de la Memoria

Imagen: Lur paisajistak

ArkiDat Maps | ArkiDat Info

El supermercado de la iglesia de Riberas obliga a modificar el Jardín de la Memoria
Adaptan el proyecto para solucionar el acceso peatonal del centro comercial. Las obras de la primera fase del parque arrancan con un plazo de cinco meses
Elene Arrazola | Noticias de Gipuzkoa, 2010-05-22

book | The landscape od contemporary infrastructure

The landscape of contemporary infrastructure / Kelly Shannon, Marcel Smets.
Rotterdam : NAi, 2010.
272 p. : il., planos
ISBN 9789056627201*
Materias:
Arquitectura del paisaje.
Biblioteca A-712 LAN

With the support of the Netherlands Architecture Fund and the Van Eesteren-Fluck & Van Lohuizen Foundation and the Vlaamse Commissie voor Architectuur en Beeldende Kunst

Around the globe the importance of infrastructure as the motor of economic development is rising owing to increasing mobility and the need to make urban territories accessible. As a result, infrastructure networks are among the most complex and significant design tasks today.

This book investigates how the design of infrastructure actively influences the organization of the inhabited landscape. Works of infrastructure are analyzed as footprints of civilization, as physical presence, as transformers of perception, and as new vessels of collective life. The authors identify these characteristics, together with the conditions that influence them, and suggest a typology of design attitudes as revealed in recent practice around the world.

Each chapter is illustrated with key works by some of the world’s most inspiring designers, including Vito Acconci, Paul Andreu, Benthem Crouwel, Dietmar Feichtinger, Diller Scofidio + Renfro, Terry Farrell, Norman Foster, Nicholas Grimshaw, Antoine Grumbach, Zaha Hadid, Arata Isozaki, Bruno Mader, Maxwan, Montgomery Sisam, OMA, Tonkin Zulaikha Greer, UN Studio, and Zwarts & Jansma.

The authors demonstrate how the combined creative potential of architecture, landscape architecture, and urban design is essential to putting into place an efficient, modern infrastructure. The result is an indispensable instrument for everyone involved in the design of infrastructure, and for all observers of the contemporary city.

prensa | La creatividad de la escasez

Imagen: Infurma

La creatividad de la escasez
Picasso pintó medio centenar de cuadros en tablas desechadas halladas en el puerto
Vicente Verdú | El País, 2010-05-20

prensa | Madrid: Un grafiti de Muelle aspira a ser declarado Bien de Interés Cultural

Imagen: Somos Centro | Grafitti de Juan Carlos Argüello,
"Muelle", en la madrileña Calle Montera

Un grafiti de Muelle aspira a ser declarado Bien de Interés Cultural
Una iniciativa busca el reconomiento y la protección de una pintada de Juan Carlos Argüello, pionero del arte urbano en España
Henrique Mariño | Público, 2010-05-20

book | The future of the paste : a conservation ethic for architecture

The future of the past : a conservation ethic for architecture, urbanism, and historic preservation / Steven W. Semes.
New York [etc.] : W. W. Norton, 2009.
272 p. : il. bl. y n.
ISBN 9780393732443*
Materias:
Arquitectura - Historia.
Arquitectura - Conservación y restauración.
Biblioteca A-72(091) FUT

A comprehensive and eloquent argument for “new traditional” architecture that preserves the style and character of historic buildings.

With contemporary design being redefined by architects and urbanists who are recovering the historic language associated with traditional architecture and the city, how might preservation change its focus or update its mission? Steven W. Semes makes a persuasive case that context matters and that new buildings and additions to old buildings should be harmonious with their neighbors.

Endorsements & Reviews
“I do not think I've ever come away from a book more impressed. Its erudition and its force in putting across a complex contrarian argument are incomparable. This book should be required reading for modern architects, who will start to whistle past the graveyard, and preservationists, who will see the error of their ways and, if they are honest, will admit it.... All I can say is read the review - or better yet, go out right now and get the book itself. It is my new bible.” — David Brussat, Architecture Here and There, The Providence Journal

“The Decade’s Most Important Book on Urban Architecture….With the publication of this volume, Steven Semes has vaulted into the first rank of contemporary architectural critics and preservation theorists….Semes provides sufficient intellectual gravitas for his opus to be a valuable textbook when teaching historic preservation and urbanism. But the book’s clarity and precision also make it a practical guide for urban planners, developers and designers tasked with creating additions or infill for historic areas. It also should be must reading for all preservationists and people serving on landmark commissions and design review boards.” — Clem Labine, Traditional Building

“[P]resents a persuasive case against the preservation ethic of oppositional styling; that is, the argument that new additions to historic buildings must be deliberately un-period so as not to be confused with the existing, ‘authentic’ section of the building. Semes illuminates the error of this way of thinking, and walks us through a history of architecture and preservation in the process.” — Planetizen.com

“[A] stirring and passionate call to get historic preservation right by respecting the past without making it sacrosanct.” — Civil Engineering

“Semes has written an indictment so complete and so damning, and yet expressed with such grace and diplomacy, that all thoughtful preservationists and even some modern architects will finally understand, if not admit, the error of their ways….so clear, so strong and so compelling that professionals in the field may be judges by how they react to it.” — David Brussat, The Providence Journal

“Full of well illustrated examples, drawings, and photographs of the results of both approaches, this volume is likely to take up important space in future discussions.” — Book News

Documentación
The Decade's Most Important Book on Urban Architecture
Clem Labine | Traditional Building, 2010-02

prensa | El Campus de Palmas Altas de Sevilla recibe un premio de arquitectura

Imagen: El Correo Web, 2010-05-20

El Campus de Palmas Altas recibe un premio de arquitectura
Ha sido reconocido por el Royal Institute of British Architects (RIBA)
El Correo Web, 2010-05-20 | EFE

sariak | RIBA premia la Ciutat de la Justicia de Barcelona y L'Hospitalet de Llobregat

Imagen: Ciutat de la Justícia

Los arquitectos británicos premian la Ciutat de la Justícia
David Chipperfield y Fermín Vázquez diseñaron el complejo
Begoña Arce | El Periódico de Catalunya, 2010-05-20

La Ciutat de la Justícia de Barcelona y L’Hospitalet de Llobregat es uno de los nueve edificios europeos premiados en los galardones anuales que otorga el Real Instituto de Arquitectos Británicos (RIBA). El proyecto fue diseñado por los equipos del británico David Chipperfield y el madrileño afincado en Barcelona Fermín Vázquez. En la lista de distinciones también figura el Campus Palmas Altas de Sevilla, obra del británico Richard Rogers y sus asociados.

publicaciones | Las infinitas arquitecturas del vino

Imagen: Atauri | Marqués de Riscal (Elciego, Alava)
ArkiDat Maps | ArkiDat Info

Las infinitas arquitecturas del vino
La editorial Lunwerg recorre la variedad arquitectónica de las bodegas españolas
Alberto Ojeda | El Cultural, 2010-05-19

prensa | Ametzagaina, el nuevo pulmón de Donostia

Imagen: Noticias de Gipuzkoa, 2010-05-19 | Parque de Ametzagaina

Un nuevo pulmón listo para estrenar
Murallas de un fuerte carlista. Un cráter aislado del mundo. Zonas de juegos. Un mirador privilegiado a todo Donostia. Caminos y senderos que rodean miles de árboles y plantas diferentes. 370.000 metros cuadrados verdes. Ametzagaina ya está preparado.
A. Zabaleta | Noticias de Gipuzkoa, 2010-05-19

prensa | Bilbao recibe el "Nobel" de las ciudades en Singapur

Imagen: Deia

Bilbao recibe el "Nobel" de las ciudades en Singapur
Ibon Areso reconoce el valor de un importante premio otorgado
Olga Sáez | Deia, 2010-05-19

hedabideak | "Bizitzak berak diseinatu du Alondegia"

Argazkia: Deia, 2010-05-19

«Bizitzak berak diseinatu du Alondegia»
Alondegiko erakustaretoak eta auditoriuma inauguratu dituzte, sei urteko lanen ostean. Philippe Starckek diseinaturiko zentroa hiru urteko atzerapenarekin ireki dute, Udalak finantzaketa arazoak izan dituelako
Irune Berro | Berria, 2010-05-19

book | The formal basis of modern architecture

The formal basis of modern architecture / Peter Eisenman
Baden: Lars Müller, 2006
The formal basis of modern architecture / Peter Eisenman.
Baden : Lars Müller, 2006.
381 p. : il.
ISBN 9783037780718*
Materias:
Arquitectura - Teoría.
Biblioteca A-72.01 FOR

In 1963 at the University of Cambridge, Peter Eisenman - world famous for his Holocaust Memorial in Berlin (2005) and respected and feared by his colleagues for his intellectual acuity and quick-wittedness - wrote a dissertation on the formal basis of modern architecture. In it, the architect confronts historicism with theory and the analysis of form, whose distinguishing features he regards as the foundation of architectural composition. Eisenman illustrates his observations with numerous, extremely precise hand drawings.

This striking document, with its idiosyncratic photographs, fully deserves to be published here, for the first time, in a beautiful reproduction of the original, on sweet cream paper, in gorgeous period type, sometimes slightly smudged. In an afterword, Peter Eisenman discusses this remarkable starting point of his practical and theoretical work, concluding that the value of a Ph.D to an architect lies in "learning how to sit still for three years." 

Documentación
La base formal de Peter Eisenman
Luis Fernández-Galiano | Revista de Libros, n. 136 (2008)
Book review. Peter Eisenman: 'The Formal Basis of Modern Architecture'
Arie Graafland | Footprint, 2007 | PDF

prensa | Bilbao retoma el almacén fantasma

Fotografía: El País, 2010-05-19  

El autor no puede describir su obra
"Yo sólo he sintetizado eso que la vida ha creado"
Eva Larrauri | El País, 2010-05-19

prensa | Genera 2010 presenta los proyectos "más vanguardistas" en arquitectura sostenible

Fotografía: El Mundo, 2010-05-18 | Vivienda eficiente para estudiantes en el Campus Montilivi de la Universidad de Girona

Genera 2010 presenta los proyectos 'más vanguardistas' en arquitectura sostenible
Dará a conocer las últimas tecnologías e ideas disponibles de esta tendencia. IDAE lleva las 19 maquetas de los participantes en el Solar Decathlon Europe
El Mundo, 2010-05-18 | Europa Press

prensa | Nicolas Lekuona, una pintura siempre joven

Fotografía: Noticias de Gipuzkoa, 2010-05-18

Una pintura siempre joven
La Asociación de Amigos de San Telmo dona al museo una obra del artista guipuzcoano Nicolás Lekuona, cuya muerte prematura no evitó que fuera el artífice de la vanguardia vasca en la República.
Ruth Pérez de Anucita | Noticias de Gipuzkoa, 2010-05-18

book | The architecture of emergence

The architecture of emergence : the evolution of form in nature and civilisation / Michael Weinstock.
Chichester (England) : John Wiley & Sons, 2010.
280 p. : il.
ISBN 9780470066331*
Materias:
Arquitectura - Teoría.
Biblioteca A-72.01 ARC

Emergence is one of the most exciting new fields in architecture today, gaining interest from not only academics and students but also leading professionals, with directors from Fosters, Arup and Bentley Systems all attending the most recent symposium on the subject at the Architects Association, London.

As a concept, Emergence has captured the zeitgeist, embodying the pervasive cultural interest in genetics and biological sciences. In the sciences, Emergence is an explanation of how natural systems have evolved and maintained themselves, and it has also been applied to artificial intelligence, information systems, economics and climate studies. The potential of the mathematics of Emergence that underlie the complex systems of nature is now being realised by engineers and architects for the production of complex architectural forms and effects, in advanced manufacturing of ‘smart’ materials and processes, and in the innovative designs of active structures and responsive environments.

• The first book to provide a detailed exploration of the architectural and engineering consequences of this paradigm, and a detailed analysis of geometries, processes and systems to be incorporated into new methods of working.
• Sets out a new model of ‘Metabolism’ that uses natural systems and processes as a model far beyond the minimising environmental strategies of ‘sustainability’.
• www.architectureofemergence.com

Human forms and culture evolved over a period of extreme fluctuations in the climate and consequential rapid variations in ecologies; a regime of natural selection that conserved and enhanced the ability to adapt their culture to a variety of climates and ecological conditions. Culture acts to transmit complex social and ecologically contextualised information down through the generations, and has tended to increase in complexity over time, a process that began over 130,000 years ago in East Africa with the emergence of anatomically modern humans, the diaspora 'out of Africa' and the spread of humans across the world.

By 35,000 years ago, long-term settlements, complex spoken language, calendars and the material archiving of ecological information had emerged. Humans began to modify their local ecological systems about the same time, as the extinction of the megafauna and the use of fi re to drive game and clear land produced changes in patterns of vegetation in steppe grasslands, in cool forests and in warmer grasslands. As the energetic returns from hunting were reduced, the increase in the gathering of grains initiated the genetic changes that over many thousands of years led to the domestication of wild cereals.

Excavated dwellings, or 'pit houses', provided a fixed residential location for the winter months and enabled them to regulate their collective metabolism in a great range of climates, and to expand into the very cold territories of the high northern latitudes. In the other seasons, tents and temporary structures were occupied in ecologically determined patterns of movements around the home range. Pit dwellings were arranged in clusters, and included 'long houses' for the communal occupation by several families at the same time. Adaptations to differing regional climates, topographies and ecologies emerged from variations in the patterns of movements around the territory, and in the depth and size of the excavation and construction.

pause | Una experiencia de arte colectivo en Vigo

Imagen: El País, 2010-05-18

Una experiencia de arte colectivo
2.000 personas crean un mural para el emblemático parque vigués de Castrelos. La libertad fue total para que cada quien se expresase como le pareció. La actividad forma parte del proyecto 'Cidade de soños', iniciativa del BNG
Teresa Cuíñas | El País, 2010-05-18

prensa | La muestra "Arquitectura sin papel" aterriza en Bruselas

Infografía: El Mundo, 2010-05-17 | Cuartoymitad

La muestra 'Arquitectura sin papel' aterriza en Bruselas
La sede de la Comisión Europea acoge los proyectos de 15 estudios españoles
El Mundo, 2010-05-17

prensa | "La rentabilidad social de la Alhóndiga está asegurada"

Fotografía: Deia, 2010-05-15

Marian Egaña | Consejera delegada de la Alhóndiga: "La rentabilidad social del centro está asegurada"
"La Alhóndiga será la segunda casa de los ciudadanos de Bilbao"
E. L. | El País, 2010-05-17

prensa | No toquéis la Diagonal

Fotografía: Ayuntament de Barcelona | Diagonal

No toquéis la Diagonal
Josep Maria Montaner | El País, 2010-05-17

livre | Taoufik el Oufir architecte

Taoufik el Oufir architecte / Lionel Blaisse.
Paris : Norma, 2009.
223 p. . il.
Ed. bilingüe francés - inglés
ISBN 9782915542264*
Materias:
Oufir, Taoufik el, 1958- .
Arquitectura - Siglo XX - Marruecos.
Arquitectura - Siglo XXI - Marruecos.
Biblioteca A-72 OUFIR TAO

Citoyen d'un royaume au riche patrimoine culturel et architecte formé à l'Ecole spéciale d'architecture de Paris, Taoufik El Oufir a choisi d'être un acteur du renouveau de son pays natal, le Maroc.

Depuis vingt-quatre ans, il y creuse, en militant obstiné, un sillon respectueux de l'héritage national pour y semer des architectures contemporaines qui ont l'art de s'inscrire, tout en les requalifiant, dans les sites où il intervient avec autant de modestie que d'ambition, celle de construire le Maroc de demain. Passionné de savoirs artisanaux et de technologies, glissant habilement à chaque projet son curseur créatif de la vision prospective au détail le plus infime, satisfaisant avec la même rigueur le client particulier et le commanditaire institutionnel, cet architecte contextuel a su séduire plusieurs prestigieux confrères internationaux qui oeuvrent à ses côtés sur des projets d'envergure.

Son talent aspire désormais à pouvoir s'exprimer bien au-delà des frontières chérifiennes, à commencer par l'Europe. Mais elle se veut surtout un plaidoyer en faveur du développement au Maroc d'une architecture engagée et innovante - tant auprès des professionnels, actuels et futurs, que de tous les habitants - pour faire de chacun un adepte de la contemporanéité et de l'urbanité indispensables à la construction d'un monde meilleur.

hemeroteka | Tabakalera: ¿al congelador?

Imagen: Tabakalera

Tabakalera: ¿al congelador?
El alcalde de San Sebastián plantea paralizar el proyecto en vísperas del cierre del edificio y del inicio de la obra
Alberto Moyano | El Diario Vasco, 2010-05-16

book | Sustainable olympic design and urban development

Sustainable olympic design and urban development / Adrian Pitts and Hanwen Liao.
London [etc.] : Routledge, 2009.
viii, 238 p. : il.
ISBN 9780415467629*
Materias:
Arquitectura - Aspecto del medio ambiente.
Urbanismo - Aspecto del medio ambiente.
Desarrollo sostenible.
Biblioteca A-711.4:504 SUS

With appropriate planning and design, Olympic urban development has the potential to leave positive environmental legacies to the host city and contribute to environmental sustainability.

This book explains how a modern Olympic games can successfully develop a more sustainable design approach by learning from the lessons of the past and by taking account of the latest developments. It offers an assessment tool that can be tailored to individual circumstances – a tool which emerges from the analysis of previous summer games host cities and from techniques in environmental analysis and assessment.

UPV/EHU | Protesta eta ezagutza eskutik hartura, arkitektura eraikiz

Argazkia: Gara, 2010-05-16

Protesta eta ezagutza eskutik hartuta, arkitektura eraikiz
Karrera amaierako proiektua. Urteak liburu eta maketa artean eman osteko etorkizuneko arkitektoen azken erronka da. Titulua jasotzeko ezinbesteko baldintza eta hezkuntza prozesu osoan jasotako ezagutza praktikan jartzeko aukera paregabea. Azkenaldian, ordea, ikasleen nahigabe eta protesta iturri ere bada.

Oihana Llorente | Gara, 2010-05-16

hemeroteka | Con Peter Eisenman en la Ciudad de la Cultura

Imagen: El País

Con Peter Eisenman en la Ciudad de la Cultura
Anatxu Zabalbeascoa | El País, Del tirador a la ciudad, 2010-05-15

livre | La fantastique architecture d'Alban Cambon

La fantastique architecture d'Alban Chambon / Jean-Paul Midant ; préface de Maurice Culot ; photographies contemporaines de Luc Boegly et Philippe De Gobert.
Bruxelles : Archives d'Architecture Moderne, 2009.
271 p. : il.
ISBN 9782871432319*
Materias
Chambon, Alban, 1847-1928.
Decoración y ornamentación arquitectónicas.
Biblioteca A-72 CHAMBON FAN

D'abord ouvrier, puis artiste industriel, formé dans les entreprises de décoration parisiennes dans les années 1860, Alban Chambon (1847-1928) devint maître d'oeuvre au talent reconnu, couvert de commandes de théâtres, de casinos, d'hôtels à Bruxelles à Londres, Amsterdam, Vienne, Paris et Ostende quelques années plus tard.

À Paris, le théâtre du Ranelagh, unique élément subsistant d'une vaste propriété et à Bruxelles, les salons, aujourd'hui classés, de l'hôtel Métropole témoignent toujours de son talent foisonnant.

Ce livre retrace l'ascension et la chute de cet homme qui n'était pas destiné à devenir architecte, ni à inventer en son temps une nouvelle architecture, et qui pourtant l'a fait. Étrangement certes. Mais avec brio. À la marge. En s'imposant comme architecte du spectacle léger et de la féerie, du music-hall. En créant son univers comme un espace de fantaisie. Avec la malice d'un Jules Verne, d'un Georges Méliès ou d'un Max Linder.

L'auteur
Jean-Paul Midant enseigne l’histoire à l’École nationale supérieure d’architecture de Paris-Belleville et à l’École des hautes études de Chaillot à la Cité de l’Architecture et du Patrimoine à Paris. Il est l’auteur de plusieurs ouvrages et de nombreux articles, tant sur l’architecture du XIXe siècle que du XXe siècle. Ce livre est issu de sa thèse de doctorat soutenue en 1992, réalisée sous la direction de François Loyer, en collaboration avec les Archives d’Architecture Moderne à Bruxelles.

book | The mosque : political, architectural and social transformations

The mosque : political, architectural and social transformations / Ergün Erkoçu and Cihan Bugdaci.
Rotterdam : NAi, 2009.
192 p. : il.
ISBN 9789056626914*
Materias:
Arquitectura religiosa.
Mezquitas.
Biblioteca A-726.2 MOS

The Netherlands' approximately 800,000 Muslims have access to almost 500 mosques. While mosques were once quietly accommodated in old school buildings, factories or churches, today the construction of new mosques is up--one of the factors literally increasing the visibility of Islam in Dutch society. The current debate about the religious, social, political and cultural position of the mosque is integral to society--not only in the Netherlands but internationally. “The Mosque: Political, Architectural and Social Transformations” embraces a vision that extends beyond the Euro-Islamic equation. The first part of this volume introduces an architectural analysis of the mosque. The second part of the book contextualizes the mosque in a larger sociopolitical debate. Adopting an interdisciplinary approach, the book includes insights from a politician, a theologian, a sociologist, a philosopher, an anthropologist and an architecture historian.

Innocent houses of worship or bulwarks of fundamentalism? We all have our own ideas about mosques, and many of those ideas go beyond the domain of architecture. In Europe, mosques are a central issue in the debates about the integration of Muslims and the potential dangers of Islam. In recent years, such debates have often edged out serious architectural discussion of European mosques, and the domes and minarets of traditional mosque architecture have come to symbolize this entire field of controversy.

The aim of this book is to bring greater depth and nuance to the debate about mosques. Amongst others politician Frits Bolkestein, architect Wilfried van Winden, sociologist Willem Schinkel, theologist/philosopher Tariq Ramadan, anthropologist Eric Roose and Ole Bouman, director of the Netherlands Architecture Institute, share their interdisciplinary perspectives on the emergence of this new architectural typology and explain its narrow and broad social impact. With a visual presentation of the historical and general features of the mosque (Mosguide), as well as three intriguing pictorial essays and a range of politically and socially informed essays and opinion pieces, Erkoçu en Buğdacı rethink the meaning of mosques in the Western European context. Recent mosque designs serve to illustrate how rewarding this approach can be – in social, functional and architectural terms.

Ergün Erkoçu became known in the Netherlands in 2003 as one of the creators of the concept of the ‘Polder Mosque’. In The Mosque. he and co-author Cihan Buğdacı present an interdisciplinary vision on the role of the mosque in Dutch society. Approximately 800,000 Muslims in the Netherlands have access to almost 500 mosques. In the 1970s, mosques were accommodated in old school buildings, factories or churches, but today we are seeing the construction of new mosques that literally render Islam visible in society.

UPV/EHU | A Arquitectura le salen grietas

 

Fotografía: El Diario Vasco, 2010-05-14

A Arquitectura le salen grietas
Decenas de alumnos protestan en la facultad de Donostia contra la evaluación de proyectos de fin de carrera

Lide Aguirre | El Diario Vasco, 2010-05-14